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This product cannot be purchased online. For information call 810.648.2095 or email us at Kohn.Music@att.net
The DM0 dLive S Class MixRack Stage Box from Allen & Heath is specifically designed for distributed audio applications as well as digital splits. At 4U, it’s the most compact dLive MixRack option, making it easy to integrate into installed audio setups of nearly any size. The DM0 is built to connects to a dLive control surface, but can also be controlled using a laptop, iPad, or third-party controllers using TCP/IP (all external gear sold separately).
Power from the Core
Central to the DM0’s powerhouse capabilities is its XCVI processing core, which boasts 25 billion operations per second. Complete with audio I/O, control, and audio networking ports, this next-generation processing core uses innovative FPGA technology and combines 36 parallel virtual processing cores that power 160-64 channels at a 96kHz sampling rate. The XCVI core incorporates 6 parallel mixing engines that calculate over 10,000 cross points per sample, while its FPGA router offers capacity for 3,000 x 3,000 audio paths.
The XCVI provides enough power to the DM0 that enables dLive to deliver premium functionality and maximum versatility. These features include:
Extras and FX
The DM0 MixRack comes with a comprehensive RackExtra FX portfolio. Achieve pristine audio quality while enjoying a versatile range of boutique plugins…all with the convenience and low latency made possible by onboard processing. Using the XCVI Core’s power, Allen & Heath has integrated their library of reverb, delay, and modulator algorithms.
Allen & Heath’s DEEP processing architecture incorporates class-leading compressors and processing emulations directly within dLive’s input and mix channels. Custom-made algorithms include Graphic EQs, Compressors, and a 64-channel Automatic Mic Mixer (AMM)—all of which can be deployed mid-mix, completely avoiding hassles regarding setup, latency, or license that are usual with external plugins. Additionally, the compressor models enable you to capture audio nuance and non-linear ballistics of industry classics such as Slow-Opto model, RMS detection and soft knee circuits, as well as super-fast peak and RMS-based compression/limiting devices.